Monday 20 March 2017

Mystic Drum by Gabriel Okara


Mystic Drum by Gabriel Okara


Introduction :-



Gabriel Okara was born in Nigeria when there was a British colony and, indeed, it would be nearly forty years before his country was to gain independence in October 1960.During his life, Okara did jobs like, initially working as a book binder, journalist, radio broadcaster and newspaper editor. He has also travelled to the USA where he helped raise money for Nigeria by giving poetry recitals.
Okara’s poems tend reflect the problems that African nations face as they are torn between the culture of their European colonists and their traditional African heritage. 

He also looks at the traumatic effect that colonization and DE-colonization can have on the self and a one's sense of personal identity. For example Okara often depicts characters suffering from 'Culture shock' as they are torn between these two irreconcilable cultures. On the one hand there is Christianity and the definite material benefits such as classroom education and well-paid jobs that the European way of life offers, while on the other hand, there is the unspoken expectation that the 'true' African was allegiance to his original tribal culture and should embrace these 'roots'. This contrast is summed up nicely by another African poet called Mabel segue in the following lines:

“Here we stand
Infants overblown
Packed between two civilizations
Finding the balance irksome".

 About Poem:-


Image result for mystic drum poem analysis


This poem is written by Gabriel Okara. The Drum represents African culture.


The Mystic Drum and Lines:-



“The mystic drum beat in my inside
and fishes danced in the rivers
and men and women danced on land
to the rhythm of my drum”

“But standing behind a tree
with leaves around her waist
she only smiled with a shake of her head.”

We can say that is connecting with heart beats of poetic persona. Lady who smile’s behind tree is signifies so many things. She is an outsider. Lady thinks that she has more rich culture, but in real sense the colonized won’t have their Own culture. In this poem we found that men, women and fishes are dancing on the bit of drum. It shows the connection of nature and humans, that they are dancing together. It also shows how powerful mystic drum is? The African culture is connected with nature, the mystic drum invokes the sun, the moon, the river, gods and the trees began to dance.

 In the poem lady is outsider and colonizer also. She is standing behind tree; it shows because of industrial revolution the trees and forest are cutting down. Poetic persona says that the mystic drum is not beat loudly anymore (Vajani Bhumi's Assignment).Because of industrialization, African culture destroys slowly. It means the western people started ruling over Africa. We can say that lady is personification of industrialization. 

This is gift of colonialism and imperialism. Industrialization started sucking the land through their roots. The smoke comes from her lips is suggest how much pollution is done by industrialization. In the poem we found that when drum is beaten men become fishes and fishes become men. But when mystic drum stopped beating men become men and fishes become fishes. It reflects that life become dry and mechanical.


2 comments:

  1. The mystic drum beating and Okara is hearing the music, the music of Africa, the music of the country and the community, the indigenous people of the world, the African diaspora and woods inhabited by exotic fauna and diverse flora. They too must have a representation of own as art symbols. His African music has really lured us, consoled the distraught soul. His myth is the myth of Africa, the myth of Nigeria, human life and the world. His motif is the motif of Africa, of Nigeria and the whole of mankind which has its roots into nativity, locale, natural landscape and ancestral village houses. On reading the poem, there grows a desire to see folk painting, handicrafts, art symbols; a desire to hear the folk songs and dances and the dancers and singers performing in their own folk attire and costumes. The drum of Okara is not the drum of his, but the drum of Africa, the drum of Nigeria and the tribesmen dancing and singing in hilarity and the music overflowing the woods and the river-banks and the villages.
    There are several things to know here. Who is the woman accompanying him and hearing the music going for so long? Why is she not coming into focus or the author bringing into light rather than keeping her in the background, under the curtain, purdah and hearing the music, making her stay erect by the tree as a myth, motif, symbol or a reader? If she had been disinterested, she would not have been. Definitely, she was and this too for how long? The other thing too is this that she is feeling fatigued.
    The other from all these the woman may be a representation of Western culture and the impact of
    industrialization and urbanization and the cutting of greenery and the depletion of exotic flora and fauna. The woman standing behind the tree may be his love for a Western beauty; the story of her annoyance or approval. Generally, the tribesmen like not to entertain the non-tribal guests and strangers during their dance performances held in the hamlets or the forest ranges. The other symbol may refer to Eve and her wrapping on with leaves to hide her guilt. A Nigeria with depleting greenery, bereft of natural scenery and forest landscapes may be also the other point of deliberation.
    So many things are herein, the elements of song, dance, drama, love, sympathy, attachment, rite, ritual, myth, motif, symbol, thought, idea, reflection, faith, belief, system, society, art, culture, living, attire, costume, scenery, landscape, village-life, race, ethnicity, indigenous custom, sociology, anthropology, dark consciousness, nature mysticism, harmony, magic, pantheism, urbanity and realism. There is something of his nostalgia, something of innocence and also something of experience which but instructs as well as corrupts it all too in the end.

    The refrain, the repetition of the stanza adds different meanings in different stages of the poem with the same nod:

    But standing behind a tree
    with leaves around her waist
    she only smiled with a shake of her head.

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