Saturday, 18 March 2017

Pink movie Review :-

   Review On Film Pink  Directed by Aniruddha Roy Chowdhury

 

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Pink is a 2016 Indian courtroom drama film directed by Aniruddha Roy Chowdhury, written by Ritesh Shah, and produced by Rashmi Sharma Telefilms (Pawan Kumar and Rashmi Sharma), Sheel Kumar and Shoojit Sircar.




Pink movie cast:

 


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Taapsee Pannu, Kirti Kulhari, Andrea Tariang, Amitabh Bachchan, Angad Bedi, Raashul Tandon, Vijay Varma, Tushar Pandey, Piyush Mishra, Dhritimaan Chatterjee, Vinod Nagpal, Dibang
Pink movie director: Aniruddha Roy Chowdhury

Review :- 


a powerful, brave Hindi mainstream film which focuses on real young women who live real lives and deal with thorny day-to-day issues, which young women the world over will identify and relate with.


Image result for pink movie plot

The three female protagonists of ‘Pink’ are your regular young women. Minal (Taapsee Pannu) is an events manager, whose work can extend into the late hours. Falak (Kirti Kulhari) works in a corporate set-up where image is all. Andrea (Tariang) is from the ‘North-East’ (Meghalaya, she says, but clearly no one is interested in the specifics : girls from the `North East’ are fair game, even if they are covered from top to toe). The girls share a flat in a ‘posh’ South Delhi locality, and we meet them first when they are heading back in a cab in the early hours of the morning, disturbed about something that has just happened.

Pink is a powerful statement on the existing feudal mindset of a majority of India, where men and women are judged by a different yardstick. And if the man happens to be from a powerful family, then the fight for justice is even more skewed.

As it happens here, Minal, Falak and Andrea, three middle-class normal working girls, are just out for a regular night of fun. Post a rock concert they accept a dinner invitation from Rajveer and two others to a resort in Surajkund. Unfortunately the evening takes an ugly turn for them after a couple of drinks. Andrea finds herself being touched inappropriately by Dumpy (Raashul Tandon) and Rajveer forces himself onto Minal, despite her clearly saying ‘No’ to his advances. In self-defense she picks up a bottle and smashes it on his eye, leaving him bleeding. The girls return to their home hoping the night will just fade away. But their lives are turned into a living hell by the guys who malign and intimidate them in every way possible. The ultimate blow comes when Rajveer uses his powerful connections to file a wrong FIR against the girls labelling them prostitutes.

When the matter comes up in court with defense lawyer Deepak Sehgall (Amitabh), who has a bipolar disorder, representing the girls, the film takes a dramatic turn. The court-room sequence, which is inspired by Jonathan Kaplan’s The Accused (1988), where the accused Minal is asked scathing questions on her virginity and drinking habits lays bare the double standards of the society we live in. Pink questions the society’s mindset where we think girls with short hemlines and those who enjoy a drink with men are low on morals. It also tells you that whether a woman is a sex-worker, wife or slave, if she says ‘no’ to being touched, then no man has the right to force himself on her. Or outrage her modesty.

The performances are pitch-perfect with Bachchan leading the way. Creative producer, Shoojit Sircar, who directed (Vicky Donor, Madras Café, Piku) makes another valuable addition to his repetoire.

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