Review On Film Pink Directed by Aniruddha Roy Chowdhury
Pink is a 2016
Indian courtroom drama film directed by Aniruddha Roy Chowdhury,
written by Ritesh Shah, and produced by Rashmi Sharma Telefilms
(Pawan Kumar and Rashmi Sharma), Sheel Kumar and Shoojit Sircar.
Pink movie cast:
Taapsee Pannu,
Kirti Kulhari, Andrea Tariang, Amitabh Bachchan, Angad Bedi, Raashul
Tandon, Vijay Varma, Tushar Pandey, Piyush Mishra, Dhritimaan
Chatterjee, Vinod Nagpal, Dibang
Pink movie director:
Aniruddha Roy Chowdhury
Review :-
a powerful, brave
Hindi mainstream film which focuses on real young women who live real
lives and deal with thorny day-to-day issues, which young women the
world over will identify and relate with.
The three female
protagonists of ‘Pink’ are your regular young women. Minal
(Taapsee Pannu) is an events manager, whose work can extend into the
late hours. Falak (Kirti Kulhari) works in a corporate set-up where
image is all. Andrea (Tariang) is from the ‘North-East’
(Meghalaya, she says, but clearly no one is interested in the
specifics : girls from the `North East’ are fair game, even if they
are covered from top to toe). The girls share a flat in a ‘posh’
South Delhi locality, and we meet them first when they are heading
back in a cab in the early hours of the morning, disturbed about
something that has just happened.
Pink is a powerful
statement on the existing feudal mindset of a majority of India,
where men and women are judged by a different yardstick. And if the
man happens to be from a powerful family, then the fight for justice
is even more skewed.
As it happens here,
Minal, Falak and Andrea, three middle-class normal working girls, are
just out for a regular night of fun. Post a rock concert they accept
a dinner invitation from Rajveer and two others to a resort in
Surajkund. Unfortunately the evening takes an ugly turn for them
after a couple of drinks. Andrea finds herself being touched
inappropriately by Dumpy (Raashul Tandon) and Rajveer forces himself
onto Minal, despite her clearly saying ‘No’ to his advances. In
self-defense she picks up a bottle and smashes it on his eye, leaving
him bleeding. The girls return to their home hoping the night will
just fade away. But their lives are turned into a living hell by the
guys who malign and intimidate them in every way possible. The
ultimate blow comes when Rajveer uses his powerful connections to
file a wrong FIR against the girls labelling them prostitutes.
When the matter
comes up in court with defense lawyer Deepak Sehgall (Amitabh), who
has a bipolar disorder, representing the girls, the film takes a
dramatic turn. The court-room sequence, which is inspired by Jonathan
Kaplan’s The Accused (1988), where the accused Minal is asked
scathing questions on her virginity and drinking habits lays bare the
double standards of the society we live in. Pink questions the
society’s mindset where we think girls with short hemlines and
those who enjoy a drink with men are low on morals. It also tells you
that whether a woman is a sex-worker, wife or slave, if she says ‘no’
to being touched, then no man has the right to force himself on her.
Or outrage her modesty.
The performances are
pitch-perfect with Bachchan leading the way. Creative producer,
Shoojit Sircar, who directed (Vicky Donor, Madras Café, Piku) makes
another valuable addition to his repetoire.
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