The Old Man and the Sea by
Ernest Hemingway
Introduction:-
The Old man and the
Sea was the last novel Earnest Hemingway published before killing
himself in 1961. In many ways, the novel gives us a glimpse into the
award-winning author’s mind as this story’s events and themes
connect to Hemingway’s life. The old man and the sea is the most
popular of Hemingway’s later works, but this novel alas-parody,
though. Less distressing so than across the river and into the trees,
composed just before it. The old man and the sea, Earnest Hemingway
repeatedly made. Skillful use of animals to epitomize the subjective
state or the situation of his characters.
The difference, however, in the effectiveness with which
Hemingway employs this characteristic device in his best work and in
the old man and the sea is illuminating. This hint that Hemingway may
be padding his characterization of Santiago by means of fakery is
abundantly confirmed by the action that follows. His combat with the
fish is an oral that would do in even a vigorous young man. There is
a longing or nostalgia for faith in Hemingway, at least from the sun
also rises until the end of his career. But if the old man and the
sea is a Christian allegory, then the book carries more intended
significance than it can bear.
Summery of the Novella :-
For 84 days, the old
fisherman Santiago has caught nothing. Alone, impoverished, and
facing his own mortality, Santiago is now considered unlucky. So
Manolin (Santiago's fishing partner until recently and the young man
Santiago has taught since the age of five) has been constrained by
his parents to fish in another, more productive boat. Every evening,
though, when Santiago again returns empty-handed, Manolin helps carry
home the old man's equipment, keeps him company, and brings him food.
On the morning of
the 85th day, Santiago sets out before dawn on a three-day odyssey
that takes him far out to sea. In search of an epic catch, he
eventually does snag a marlin of epic proportions, enduring
tremendous hardship to land the great fish. He straps the marlin
along the length of his skiff and heads for home, hardly believing
his own victory. Within an hour, a mako shark attacks the marlin,
tearing away a great hunk of its flesh and mutilating Santiago's
prize. Santiago fights the mako, enduring great suffering, and
eventually kills it with his harpoon, which he loses in the struggle.
The great tear in
the marlin's flesh releases the fish's blood and scent into the
water, attracting packs of shovel-nosed sharks. With whatever
equipment remains on board, Santiago repeatedly fights off the packs
of these scavengers, enduring exhaustion and great physical pain,
even tearing something in his chest. Eventually, the sharks pick the
marlin clean. Defeated, Santiago reaches shore and beaches the skiff.
Alone in the dark, he looks back at the marlin's skeleton in the
reflection from a street light and then stumbles home to his shack,
falling face down onto his cot in exhaustion.
The next morning,
Manolin finds Santiago in his hut and cries over the old man's
injuries. Manolin fetches coffee and hears from the other fisherman
what he had already seen — that the marlin's skeleton lashed to the
skiff is eighteen feet long, the greatest fish the village has known.
Manolin sits with Santiago until he awakes and then gives the old man
some coffee. The old man tells Manolin that he was beaten. But
Manolin reassures him that the great fish didn't beat him and that
they will fish together again, that luck doesn't matter, and that the
old man still has much to teach him.
That afternoon, some
tourists see the marlin's skeleton waiting to go out with the tide
and ask a waiter what it is. Trying to explain what happened to the
marlin, the waiter replies, "Eshark." But the tourists
misunderstand and assume that's what the skeleton is.
Back in his shack,
with Manolin sitting beside him, Santiago sleeps again and dreams of
the young lions he had seen along the coast of Africa when he was a
young man.
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